Dick Whittington Jan 2012
Well done to all who joined us for Dick Whittington, we hope you have now recovered! It was a great pantomime and we have had some very positive feedback from our audiences so well done everyone.
This Is Gloucestershire Review
Christmas may be over for another year, but there is still time to reel off that evergreen riposte “It’s behind you!”, along with the usual side-order of hissing, barracking and cheering (Oh, yes, there is). Set course for the Bacon Theatre, and savour this post-festive extravaganza which will momentarily dispel any thoughts of cold winter nights.
The multi-generational cast is strong and versatile, from glittering Fairy Bow Bells, hilariously gruff Captain Cuttle, the wonderfully wimpish Sultan and legions of animated children enjoying their first years in the spotlights. Jodie Hemming oozed confidence in the title role, while Ceri Winrow injected plenty of spark as brash and witless Idle Jack. Colin Bennett brought a quiet dignity to the role of Alderman Fitzwarren, even if his wayward nightcap threatened to ruin it early on. Crystal-clear songbird Rosie Weston radiated pure joy as his dutiful daughter Alice, and revealed a considerable talent for regional accents.
Yet it was the cat and the rat that ruled the roost in this mayoral and Moroccan mayhem. Molly Champion-Pinchin shone throughout as Dick’s sweetly endearing moggy, and there’s nothing quite like a top-quality villain to stir up trouble. Ably backed by his Blues Brothers-ish lieutenants, Tim Jones’ charismatic portrayal of King Rat was simply riveting. Boo him in character, yes (and didn’t we!), but save your biggest cheer for him at the end.
In front of beautifully lit sets, the delightful dancing water nymphs displayed grace and charm, before launching into one humdinger of a hornpipe. Meanwhile, the chorus was in fine voice, especially during Sail Away, a remarkably effective adaptation of One Day More from Les Misérables which brought the first half to a spine-tingling conclusion.
This vast army of talent, however, owes it all to the incomparable John Pannett, the definitive pantomime dame who remains the driving force behind these glorious seasonal spectaculars. Whether he’s dressed as a washed-up squid, your average DIY paint chart, chessboard or The Last Night of the Proms, and firing off those corny jokes with the rapidity of a machine-gun, the show would simply not be the same without him. Whither next for this inspirational giant – the honours list?
It lacked a little pace at times, but it was vintage Prom Prods – colourful, witty and hugely entertaining. The audience loved it, and the rapturous reception they afforded it at the final curtain was wholly justified. Turn again and fast forward to next year.
Simon Lewis
NODA Review to follow as soon as I have a copy.....
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